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Cottages in a Wood, Meindert Hobbema (Amsterdam 1638)

Cottages in the village of Allerford on the Holnicote Estate

Cottages in the village; the name means hospital of St John

Cotton reels in a basket in the Weaving Shed at Quarry Bank Mill, Styal

Cotton reels in the needlework box in the Parlour at Plas yn Rhiw, Pwllheli, Gwynedd

Cottongrass (Eriophorum angustifolium) in the Nantgwynant Valley with Gelli Iago in the distance, on Hafod Y Llan farm, Snowdonia, Wales

Cottongrass (Eriophorum angustifolium) in the Nantgwynant Valley with Gelli Iago in the distance, on Hafod Y Llan farm, Snowdonia, Wales

COUGHTON COURT FROM THE WEST, English School 19th century, post-conservation at Coughton Court

COUNCILLOR WALROND, Minature by an unknown artist

Covered area at the Theatre Royal, Bury St Edmunds, Suffolk

Cows grazing in dawn mist at Holnicote Estate in Somerset

Crace ceiling in the Garden Hall in the new house at Scotney Castle, Kent

Crashing waves and rocks at Cape Cornwall, "the connoisseur's Land's End"

CRIES OF LONDON, NO. 2: "Buy my goose, my fat goose" by Rowlandson, 1799

CRIES OF LONDON, NO. 5: "Water cresses, come buy my water cresses", by Rowlandson, 1799

CRIES OF LONDON, NO. 6: "All a growing a growing, heres flowers for your gardens" by Rowlandson, 1799

CRIES OF LONDON, NO. 8: "hot cross bunns two a penny bunns" by Rowlandson, 1799

CRIES OF LONDON, NO.4, by Rowlandson ("Do you want any brick dust"), 1799

Crimson velvet panel, sixteenth-century, with initials 'ES' surmounted by a coronet, for Elizabeth, Countess of Shrewsbury, at Hardwick Hall

CROSSING THE FORD by Jan Siberechts (1627-1703) in the Gallery in Melford Hall

CROSSING THE FORD by Thomas Gainsborough RA (1727-1788)

Crowlink's cliffs (Looking West) at Seven Sisters

Crowlink, view along the grassland at the top of the cliffs with sunlight on white cliffs in the distance and a calm sea

CRUCIFIXION, after Van Dyke, post-conservation at Oxburgh Hall