LLOYD'S COFFEE HOUSE, by George Woodward, 1798
Map of the Manor and Parish of Great Chalfield, 1794, at Great Chalfield Manor, Wiltshire
One of four views of the water garden at Studley Royal, Yorkshire, by A. Walker after Balthazar Nebot (fl. 1730-62), coloured mezzotints, 1758
Illustration of a column and capital from The Ruins of Palmyra by Robert Wood (London 1753) in the library collection at Calke Abbey, Derbyshire (London 1753)
JAMES WILLIS (1761-1817) by John Russell, R.A. This crayon portrait shows the sitter in a white silk cravat and wig.
PERSPECTIVE DESIGN FOR THE CONSERVATORY AT BELTON HOUSE c1810 by Sir Jeffry Wyatville (1766-1840) Pen, ink, pencil, and watercolour
A FASHIONABLE CROP by Cruikshank, 1791
A GAME AT PUT IN A COUNTRY ALEHOUSE by Woodward and Rowlandson, 1799
Close-up of the Packwood Estate Map in the Upstairs Corridor at Packwood House
WILLIAM MURRAY, 1ST EARL OF DYSART by David Paton (fl.1660-1695), miniature painting in the Duchess's Private Closet at Ham House, Richmond-upon-Thames.
TWO VIEWS OF WINDSOR by Wenceslaus Hollar at Anglesey Abbey
Page from Veteres Arcus Augustorum Triumphis Insignes by J.P Bellorii (Rome 1690) G.W.G.j.29 from the library collection at Calke Abbey, Derbyshire
Brightly coloured and highly distinctive textile trade labels from the cotton-spinning Quarry Bank Mill, Styal
CLEVEDON COURT, a print by William Makepeace Thackeray which hangs in the Schoolroom at Clevedon Court
Large silhouette group by Francois Torond (1742-1812), in the Drawing Room at A la Ronde
Page from John Smeaton's 'A Narrative of the Building and a Description of the Construction of the Edystone Lighthouse" (London, 1791) at Calke Abbey
Phascolomys, wombat, illustration from 'Mammals of Australia' by John Gould, (London 1845-1863) at Calke Abbey
SIR ISAAC NEWTON, an engraved mezzo-tint portrait, (1642-1727), after Sir Godfrey Kneller, by I. Smith, 1712, in the Entrance Hall of Woolsthorpe Manor
Engraved print of Isaac Barrow, who resigned the Lucasian Chair of Mathematics at Cambridge 1669 in favour of 26 year-old Newton having recognised his talents, in the Study at Woolsthorpe Manor
CRIES OF LONDON, NO. 6: "All a growing a growing, heres flowers for your gardens" by Rowlandson, 1799
CRIES OF LONDON, NO. 5: "Water cresses, come buy my water cresses", by Rowlandson, 1799
PRIVATE DRILLING NO. 5 by Rowlandson, 1798
