THE WHITE DRAWING ROOM AT WINDSOR CASTLE by Joseph Nash (1808- 1878)
The white marble fireplace in the Drawing Room flanked by two commodes with the Regence Boulle writing desk holding the Comte de Flahaut's pen tray in the foreground
The white painted Apprentice House at Quarry Bank Mill where pauper apprentices were boarded who accounted for about one-third of Samuel Greg's workforce between 1790 & 1840
The white streak of the White Lady Waterfall in Lydford Gorge, falling into a quiet pool at the bottom
The Whitehaven Coast, Cumbria
The Whitehaven Coast, Cumbria, looking towards the old colliery buildings of the Haig Pit
The whiteness of the Seven Sisters competing with the snow
THE WIFE OF BATH'S TALE by Henry Fuseli (1741-1825)
The Wild Moor Pool on the Long Mynd, with the cloudy blue sky, reflected in the shimmering water
The wilderness area at Prior Park, an C18th landscape garden in Bath inspired by Capability Brown
The Wilderness, Prior Park
The Wind pump (windmill) with visitors at Wicken fen
The winding engine, part of the remains of the Haig Pit, an early twentieth century colliery, on the Whitehaven Coast, Cumbria
The window in The Brewhouse at Moseley Old Hall and table displaying a selection of herbs and spices
The windows in the Drawing Room at Peckover House with early C19th pelmets, and the snob screens - vertically slatted shutters which prevented visitors to the bank next door peering in
The Windsor Bedroom at Belton House, Lincolnshire
The wine cellar below the Punch Room looking towards various alcoves for the different types of wine and a large black urn
The Wine Cellar in the basement at Tatton Park where the butler kept account of the stock and labelled each of the bins for easy reference
THE WINTER SMOKING ROOM, CARDIFF CASTLE (1870) at Knightshayes Court, Devon
